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10 Pictures of Mohanlal without Makeup

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Mohanlal, born as Mohanlal Viswanathan Nair is one the finest Indian actors who is well-known worldwide for his commendable work in Malayalam films. The writer is highly acclaimed for his natural acting and versatility. Mohanlal started his film career in the year 1978 by playing a role of mentally disabled servant in the movie ‘Thiranottam’. It has been a struggling life for Mohanlal that has taken Mohanlal from a struggling career to the top position in the Malayalam Film Industry. His success story is unmatchable and has inspired lot of younger acting enthusiasts. Mohanlal is also the proud recipient of Padma Shri Award for his contribution in the Indian cinema.

Mohanlal has always found a place in the heart of his audience with both his on-screen and off-screen personality. This article shows top 10 images of Mohanlal without makeup.

10 Unseen Mohanlal without Makeup Pictures:

Let we have to look at the mohanlal without makeup pictures.

1. The Casual Look:

Mohanlal without Makeup

This one is one very casual yet enigmatic picture of Mohanlal without make up. The actor is seen wearing a yellow polka dots shirt and he looks effortlessly cool.

2. The Angry Young Man Look:

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Mohanlal has wooed the heart of his female fans with his larger than life characters in the Malayalam films. He exactly does this with this angry young man look that shows him without any trace of makeup.

3. The Don of Malayalam Film Industry:

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Mohanlal is the number one actor of the Malayalam Film Industry and this picture of him without any makeup tells us exactly why he deserves the place. The actor looks iconic wearing a white suit and black shades.

4. The Real Hero:

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This one is a real and shocking picture of Mohanlal that is not only without makeup, but the actor also went bold by revealing his bald image. What you see in his films, is not a wig, but it is the hair fixing technique that has also been used by many other prominent actors like Jayaram, Prithviraj, Jayasurya and Kunchacko Boban.

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